Ludwig’s castles

The
coat of arms of King Ludwig over the entrance to
Schloss Neuschwanstein.
Ludwig was notably eccentric in ways that made serving as Bavaria’s head of state problematic. He disliked large public functions and avoided formal social events whenever possible, and preferred a life of fantasy that he pursued with various creative projects. These idiosyncrasies caused tension with the king's government ministers, but did not cost him popularity among common Bavarians. The king enjoyed traveling in the Bavarian countryside and chatting with farmers and laborers he met along the way. He also delighted in rewarding those who were hospitable to him during his travels with lavish gifts. He is still remembered in Bavaria as
Unser Kini, which means "our darling king" in the Bavarian dialect.
Ludwig also used his personal fortune to fund the construction of a series of elaborate castles. In 1861 he visited
Viollet-le-Duc's work at
Pierrefonds, in France, which largely influenced the style of their construction. These projects provided many laborers employment and brought a considerable flow of money to the regions where his castles were built.
In 1868, Ludwig commissioned the first drawings for two of his buildings. The first was
Schloss Neuschwanstein, or "New Swanstone Castle", a dramatic
Romanesque fortress with soaring fairy-tale towers. The second was
Herrenchiemsee, a replica of the central section of the palace at
Versailles, France,
Herrenchiemsee which was to be sited on the Herren Island in the middle of the
Chiemsee Lake, was meant to outdo its predecessor in scale and opulence.
The following year, he finished the construction of the royal apartment in the
Residenz Palace in
Munich, which was followed three years later by the addition of an opulent conservatory or
Winter Garden on the palace roof. It featured an ornamental lake with gardens and painted frescoes, and was roofed over using a technically advanced metal and glass construction.

An 1890s
photochrom print of
Schloss Neuschwanstein.
In 1869, Ludwig oversaw the laying of the cornerstone for
Schloss Neuschwanstein on a breathtaking mountaintop site overlooking his childhood home, the castle his father had built at
Hohenschwangau. The walls of Neuschwanstein are decorated with frescoes depicting scenes from many of Wagner's operas, including the somewhat less than mystic
Meistersinger.
In 1872, he began construction for a special festival theater dedicated to the works of
Richard Wagner, in the town of
Bayreuth. A few years later, he watched early versions of Wagner’s
Ring Cycle operas there, though he avoided the public performances. In 1878, construction was completed on Ludwig’s
Schloss Linderhof, an ornate palace in neo-French
Rococo style, with handsome formal gardens. The grounds contained a Venus
grotto lit by electricity, where opera singers performed while Ludwig was rowed in a boat shaped like a shell. In the grounds a romantic woodsman's hut was also built around an artificial tree. The hut, referred to as
Hundings Hut, is a reference to a similar structure in
der Ring des Niebelungen. There is a sword embedded in the tree. In
Walküre, Siegfried's father Siegmund, pulls the sword from the tree. Inside the palace, iconography reflected Ludwig's fascination with the absolutist government of
Ancien Régime France. Ludwig saw himself as the "Moon King", a romantic shadow of the earlier "Sun King", Louis XIV of France. From Linderhof, Ludwig enjoyed moonlit sleigh rides in an elaborate eighteenth century sleigh, complete with footmen in eighteenth century
livery. Also in 1878, construction began on his Versailles-derived
Herrenchiemsee.
In 1879 he travelled to England and visited
Sir Richard Wallace, to whom he had written for advice on England's
medieval architecture[10]. Wallace advised Ludwig to take a tour of the English countryside in order to survey a variety of ecclesiastical buildings, that he might draw inspiration from them for future building projects. In a letter to Wallace, Ludwig expressed particular admiration for the buildings of
Hertfordshire, which he toured extensively. Despite the foregoing statement, it should be noted that the detailed itinerary of Ludwig's journeys compiled from official sources by Franz Merta and published in "König Ludwig II. Wirklichkeit und Rätsel" (Schnell und Steiner, Regensburg, 3rd edition 2005) does not include this unlikely trip to England, but it is entirely possible that the king sent an emissary to consult Sir Richard Wallace at Hertford House in London, or at his country seat in Suffolk.
In the 1880s, Ludwig’s plans proceeded undimmed. He planned construction of a new castle on the Falkenstein near Pfronten in the Allgäu (based on the tower of St Mary's Church,
Baldock), a Byzantine palace in the Graswangtal and a Chinese summer palace in
Tyrol. By 1885, demolition for the beginning of the Falkenstein project was underway, and the road to the site had been graded.